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A EPIC - Sony
Directors Company Production

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Yoriko Doguchi

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Usagi Aso
Kenso Kato

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Houen Kishino
Sozo Teruoka

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Yumi Tachihara
Miki Yamaji

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Juzo Itami

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Planning: Shigeo Maruyama
Susumu Miyasaka

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Producer: Fumio Yamamoto

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Screenplay: Kiyoshi Kurosawa
Kunitoshi Manda

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Cinematography: Toshihiko Uryu

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Production Design: Keiko Hoshino

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Editor: Junichi Kikuchi

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Music: Tokyo Towers
Harumi Sawaguchi

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Director: Kiyoshi Kurosawa

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<i>I've come at last, Yoshioka.</i>

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THE BLOOD OF THE DOREMIFA GIRL ROARS

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<i>December 12th - the Voting Day</i>

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Hey! A freshman? Which department?

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Don't you want me to take a nude photo
of you, in memory of your entrance?

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<i>Music Circle, Veracruz.</i>

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<i>Veracruz</i>

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<i>Freshmen this way.
Stage of One Thousand.</i>

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<i>It's here. I've come at last, Yoshioka.</i>

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<i>I panicked.</i>

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Who are you?

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Yoshioka isn't there?

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No, he isn't.

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Will he come here, if I wait for him?

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Will who come?

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Minoru Yoshioka.

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- Who's he?
- Er...

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Where do the seminars of
Professor Hirayama,

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of the Psychology Department, take place?

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<i>This is only between us.</i>

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<i>We are already tired of living
on our own terms.</i>

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<i>Now we're aware of that at last.</i>

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<i>It took us 20 years to finally
figure that out.</i>

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<i>But it's not too late for us.</i>

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<i>We're thinking of making every effort to
reconstruct a story that was broken by someone.</i>

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<i>That means dreaming of living
in a perfect story.</i>

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<i>And another necessary thing is "to search".</i>

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<i>"Romance instead of sex"</i>

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Hi! Are you a freshman?

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- No.
- Then a senior?

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I'm not a student of this university.

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I see...

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- Are you surprised?
- No, not at all.

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I've come here looking for
this man: Yoshioka.

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- Where are you from?
- From the countryside.

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- Are you surprised?
- No, not at all.

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Is he your lover?
The man you gave your virginity to?

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University students are like that?

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They always do such things?

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You're going to the Psychology
Department? I'll come too.

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- Do you attend Hirayama's seminars?
- I haven't made my mind up yet...

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- OK. I'll go there.
- Take me there, please!

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- All the students are present.
- All right.

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- We're busy.
- I become angry when I see a selfish man.

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- Yoshioka isn't like that?
- Of course not.

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All the university students in Tokyo
are shameless, aren't they?

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<i>New Liberal Psychology
The more you know, the more you become ashamed.</i>

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They've already started.

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Is that man in there?

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Is he there?

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How about going in?

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- Now?
- Let's enter!

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- What's the matter?
- I'm a newcomer to the Psychology Department.

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OK.

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- No, I'm not...
- OK.

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You're newcomers. Welcome.

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Please.

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Yoshioka is here?

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- Yoshioka?
- Yes, Minoru Yoshioka. Do you know him?

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He was present only a few times at first;
since then he's been absent.

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- I've heard he belonged to a music circle.
- He's been absent from that, too.

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- I've heard he played in a live venue.
- That's a lie.

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- That professor is charming.
- Eh?

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I like him.

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- I saw his live performance.
- Liar!

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- I saw it!
- Absurd. That's a lie.

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- Why did you lie like that?
- No matter. It's my own business.

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- I really saw it.
- You mistook him for another.

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- No. It absolutely was Yoshioka.
- All right. It was Yoshioka.

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The eyes didn't see, but the mind
was watching, certainly.

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What on earth is the truth?

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Yes. That is a serious problem in psychology.

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I'm confused!

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Yoshioka won't come here any more.

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So where should I go?
For I love Yoshioka...

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I'll marry him. That's why I've left my home.

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I liked that seminar... though it was
unfortunate that Yoshioka wasn't there.

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- Now I'll go.
- You'll go where?

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You may have no place to go.
Come to our dormitory!

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- No, thank you.
- Relax! Let's go.

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- No, thank you.
- You're stubborn.

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- Why?
- For what reason?

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If I'm asked 'why', I cannot help
answering 'without any reason'.

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- Why?
- You said it.

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I'd like to propose something...

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How about not asking 'why'
from now on?

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If one continues to ask 'why',
one can get only endless answers in return.

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I think we shall become exhausted at last,
and reach the limits of our time.

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By 'exhausted', do you mean having reached
the limits of one's intelligence?

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No. No. It doesn't mean the limits
of intelligence, but those of asking 'why'.

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But why? Whilst he lives, a human being
continues to think, until he dies.

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As I said, I'm proposing to stop
asking 'why'. Isn't that right?

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Yet it's normal for students to
ask 'why' of a professor.

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No. It isn't normal at all.

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It's good that students ask 'what is this? '
Of a professor.

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Ask me for a name. I'm willing to answer,
because I know plenty of names.

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- We don't want to ask for names especially.
- Why? But I mustn't say that!

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As for 'why', one must think by oneself.

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- So far as one thinks by oneself, is it OK?
- No!

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No. It's not good to think by oneself.

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Why?

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But really... I don't know why...
Only music always moves us. Always.

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- It's strange, I don't know why...
- You're right.

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There are many interesting things,
but only music can really move us.

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- Why?
- Those are 'absolute notes', aren't they?

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That is to say, there aren't 'absolute words',
but music has 'absolute notes'.

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'Do'.
This is the absolute note of'Do'.

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'Do'

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'Re'

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'Mi'

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'Fa'

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'So'

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What I really want to talk about is

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simply

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about chairs,

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a table,

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a cup,

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mountains, forests,

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the sea, my friends,

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and the man I love.

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No one thinks of talking about the

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relationship between chairs and a table,

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nor that between forests and the sea,

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no more than that between him and me.

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By the way,

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music doesn't ever consist
of the relationship

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between 'Do' and 'Re',
nor that of 'Mi' and 'Fa'.

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There are simply several sounds there,
it seems.

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Even if everything is forbidden,

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or forgotten,

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only music will survive.

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I believe that only music will always
be able to triumph,

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over any trap contained within
a relationship.

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We hide certain parts of our own bodies,
because we feel them shameful.

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Which parts one feels shameful depends
on one's own culture.

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There is no general principle at work there.

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I can say that shame is cultural nonsense.

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For example, when we feel a part shameful,
we cover it with a piece of cloth.

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Even if we do so, shame doesn't
disappear so easily.

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Certainly it's true that we can
conceal that part from others' eyes,

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but at the same time that lets them know
which part we're ashamed of.

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That is to say that hiding something only
results in making clear the ashamed-of part.

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It seems to me that this is
even more shameful.

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Therefore... How to say...

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In order to conquer this new shame
caused by covering up,

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people in the future might
stop hiding themselves,

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in other words, people might live naked.

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Because if stark naked, we cannot tell
from the outside which part one is ashamed of.

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Such a time might happen to come about.

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In conclusion, I'd like to say
that shame is much...

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more powerful than a piece of cloth,
and has priority.

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- What are you doing?
- Nothing especially.

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Are you a student of this university?

168
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Yes, I am...

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- Are you an ally... or an enemy?
- I'm an ally.

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- What are you doing?
- A pirouette exercise.

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Yoshioka has formed a band.

172
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He plays fairly well for a high-schooler,
doesn't he?

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You'd better forget old songs.

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University is an odd place.

175
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It always looks like a festival...

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Rather like an amusement park.

177
00:23:29,306 --> 00:23:31,103
Or perhaps a battlefield?

178
00:24:37,904 --> 00:24:39,702
How about flowers?

179
00:24:41,008 --> 00:24:44,844
How about flowers of the cosmos,
which will make you encounter your beloved?

180
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- Please give me those.
- All right. They cost five hundred yen.

181
00:24:55,597 --> 00:24:56,655
Here you go.

182
00:24:59,736 --> 00:25:00,634
Thank you.

183
00:25:02,607 --> 00:25:08,377
Nice flowers. I present these to you.

184
00:25:08,381 --> 00:25:11,249
No, thank you. I already have
many like these.

185
00:25:11,252 --> 00:25:13,721
I bought these flowers to give to you.

186
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Consider them as me and cherish
them, please!

187
00:25:38,791 --> 00:25:42,593
You're a freshman?
This is my present to you.

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- As a memory of your entrance.
- Thank you.

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Bye.

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00:26:23,823 --> 00:26:27,727
- Have you played music before?
- A long time ago.

191
00:26:28,596 --> 00:26:32,056
I could have belonged to this club...

192
00:26:34,639 --> 00:26:36,608
but that matters little.

193
00:27:06,384 --> 00:27:11,119
- Do you happen to be Aki?
- Yes, I am.

194
00:27:11,825 --> 00:27:15,456
I'm Teruoka. I was in the same year
as you at the high school.

195
00:27:16,165 --> 00:27:21,103
Ah! Teruoka! But why are you here?

196
00:27:21,372 --> 00:27:23,272
Actually, I've sat the entrance
examination here.

197
00:27:23,575 --> 00:27:26,477
I'm surprised.

198
00:27:26,613 --> 00:27:30,881
I didn't want to stay in the country.
I was eager to go to Tokyo.

199
00:27:31,419 --> 00:27:38,658
But if one says that in the countryside,
one becomes ashamed. That's why...

200
00:27:41,066 --> 00:27:44,799
But rather than me, Aki, why are you here?

201
00:27:44,805 --> 00:27:49,107
Me? Because of a personal matter...

202
00:27:52,751 --> 00:27:58,749
But I didn't think that you thought
about such things back then.

203
00:27:58,892 --> 00:28:03,126
- So?
- You've changed so much!

204
00:28:04,234 --> 00:28:13,545
You look completely like a city man:
Your hat, your clothes and your shoes.

205
00:28:15,316 --> 00:28:21,416
But first of all, this hand!
This is the hand of a city dweller.

206
00:28:23,361 --> 00:28:27,060
- You've been able to change up to this point!
- I've changed so much?

207
00:28:27,434 --> 00:28:31,463
You've really changed. I must admire you!

208
00:28:31,473 --> 00:28:37,641
If so, how about coming to a cafe with me?

209
00:28:38,349 --> 00:28:48,888
- No, thanks.
- Well, I don't need to go there either...

210
00:28:49,032 --> 00:28:53,698
- Please do go, Teruoka.
- I'd better go there?

211
00:28:53,839 --> 00:28:58,301
- Yes. Don't worry about me!
- So... I'm off.

212
00:29:01,850 --> 00:29:05,379
Are you really Teruoka?

213
00:29:13,533 --> 00:29:16,595
Are you really Teruoka?

214
00:29:16,972 --> 00:29:20,842
Listen to this record.
This is a very good one.

215
00:29:21,678 --> 00:29:23,112
No, thank you.

216
00:29:27,019 --> 00:29:31,616
- How about some caramels?
- No. No, thank you.

217
00:29:34,797 --> 00:29:41,797
All right. I'll be on that bench over there.
If you're free, come over.

218
00:29:43,309 --> 00:29:46,370
- Bye.
- I'm sorry.

219
00:30:04,139 --> 00:30:06,199
Don't you want to be naked?

220
00:30:06,909 --> 00:30:09,538
What? Why?

221
00:30:46,467 --> 00:30:49,369
Yoshioka, I hope that you will be here today.

222
00:31:06,329 --> 00:31:09,094
You're Aki, aren't you?

223
00:31:12,804 --> 00:31:15,331
This man is Yoshioka?

224
00:31:21,617 --> 00:31:24,645
Yoshioka, how are you?

225
00:31:26,591 --> 00:31:29,527
Aki, I haven't seen you for so long.

226
00:31:30,196 --> 00:31:32,461
You've entered this university?

227
00:31:36,305 --> 00:31:38,569
She's serious.

228
00:32:12,990 --> 00:32:15,516
I wonder where we were...

229
00:32:15,827 --> 00:32:19,458
All right. If we go beyond
an experience of 'localised shame',

230
00:32:19,466 --> 00:32:22,527
it seems that our body, being incapable
of delivering its energy,

231
00:32:22,637 --> 00:32:26,302
is forced to undergo a sort
of physical stiffness.

232
00:32:26,443 --> 00:32:29,174
For example, a certain change
occurs in the body, or suchlike?

233
00:32:30,282 --> 00:32:32,581
Or hair goes totally white?

234
00:32:34,020 --> 00:32:43,661
Though we haven't yet observed
these phenomena directly, comma,

235
00:32:45,003 --> 00:32:53,210
we have certain grounds to suggest we shouldn't
deny their existence theoretically, period.

236
00:32:54,417 --> 00:33:01,018
For the time being, comma, we call
these physical changes, open bracket,

237
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extreme shame mutation, close bracket, period.

238
00:33:08,471 --> 00:33:12,603
It's possible that hair goes completely white.

239
00:33:13,211 --> 00:33:18,378
- The extreme shame is...
- That of the index ten, isn't it?

240
00:33:20,688 --> 00:33:26,459
Myself, I've never experienced such shame.

241
00:33:28,600 --> 00:33:32,230
- Maybe we ought to experiment?
- No. We aren't yet at that point.

242
00:33:32,505 --> 00:33:36,910
- I don't mind being a guinea-pig.
- I thank you for your eagerness, yet...

243
00:33:40,817 --> 00:33:46,884
I'm tired. Excuse me.
Let me sleep for a while.

244
00:34:06,186 --> 00:34:07,711
A shame...

245
00:34:13,530 --> 00:34:18,799
How wonderful it would be if I could humiliate
a young girl, and be humiliated by her!

246
00:34:26,381 --> 00:34:27,974
I've slept.

247
00:34:30,621 --> 00:34:33,854
Did I talk about anything?

248
00:34:34,160 --> 00:34:37,255
- I didn't notice.
- Really?

249
00:34:41,704 --> 00:34:46,370
- Doesn't the seminar take place today?
- No. We're collecting material.

250
00:34:46,877 --> 00:34:48,140
I didn't expect that.

251
00:34:51,351 --> 00:34:55,016
- Isn't the other girl with you?
- I'm alone.

252
00:35:00,030 --> 00:35:02,431
This book is available at the store?

253
00:35:02,533 --> 00:35:05,504
Yes. But I'll give it to you.

254
00:35:06,339 --> 00:35:08,638
The Professor has copies in stock,
doesn't he?

255
00:35:09,343 --> 00:35:11,039
We still have many. Please.

256
00:35:17,122 --> 00:35:20,092
Please give her this book.

257
00:35:20,660 --> 00:35:23,790
- But she isn't a student of this university.
- That's not important!

258
00:35:26,769 --> 00:35:30,935
"I wonder why you're angry?"

259
00:35:33,111 --> 00:35:38,950
"Because we've met here again?"

260
00:35:39,254 --> 00:35:40,312
I'll be back soon.

261
00:35:51,137 --> 00:35:55,542
"The university is full of blossom,

262
00:35:56,011 --> 00:36:00,415
with love, delight and organs.

263
00:36:00,783 --> 00:36:05,245
The university is full of blossom,

264
00:36:05,690 --> 00:36:10,221
in a word: A battlefield.

265
00:36:10,498 --> 00:36:12,933
The university is...

266
00:36:15,305 --> 00:36:17,536
full of blossom,

267
00:36:20,011 --> 00:36:24,712
a city where a student should put an end
to his psychosocial moratorium.

268
00:36:24,852 --> 00:36:29,587
The university is full of blossom,

269
00:36:29,692 --> 00:36:34,290
in a word: An emotion."

270
00:36:37,704 --> 00:36:39,866
Yoshioka wasn't that type of man.

271
00:36:41,642 --> 00:36:57,829
"I'm always myself, everywhere I go.

272
00:37:00,837 --> 00:37:17,455
Dreams are dreams, always, everywhere.

273
00:37:20,299 --> 00:37:29,905
Everything always, everywhere."

274
00:38:07,734 --> 00:38:16,144
I dislike you... dislike... dislike...

275
00:38:17,747 --> 00:38:18,976
I dislike you!

276
00:38:26,426 --> 00:38:27,758
I hate you!

277
00:38:47,456 --> 00:38:55,993
"How wonderful the romance
between the two!

278
00:38:57,137 --> 00:39:06,049
Discreet, gentle, admirable love!

279
00:39:06,651 --> 00:39:15,962
The strong chest of that attractive man:

280
00:39:16,398 --> 00:39:25,538
You don't touch it, nor approach it."

281
00:39:45,340 --> 00:39:54,685
"Without being embraced by the beloved man,

282
00:39:54,920 --> 00:40:04,823
you're a blossom which is
to fall on a late spring day."

283
00:40:10,443 --> 00:40:11,502
Goodbye.

284
00:40:22,526 --> 00:40:26,190
'To not chase anyone who leaves',
that is my policy.

285
00:40:37,414 --> 00:40:43,014
- Could you read this book?
- But I'm going home.

286
00:40:44,057 --> 00:40:50,522
Before you return, read this book and
let me know your impressions, please.

287
00:40:50,633 --> 00:40:52,829
<i>New Liberal Psychology
by Enkichi Hirayama</i>

288
00:40:58,512 --> 00:40:59,410
Hi!

289
00:41:05,889 --> 00:41:09,326
- How are you? It's been a while.
- Hi!

290
00:41:09,694 --> 00:41:12,163
I'll be a failed student?

291
00:41:15,536 --> 00:41:18,631
- I've heard that you've played music before?
- Yes.

292
00:43:34,902 --> 00:43:42,402
"Dense roses, smiling and swinging,

293
00:43:42,814 --> 00:43:49,882
invite me, who is looking for love.

294
00:43:50,492 --> 00:44:05,312
Now let's sing an old song to send you,

295
00:44:05,447 --> 00:44:18,490
thinking of kisses on your lips,

296
00:44:18,800 --> 00:44:25,469
on an evening of a crescent moon,
of stars far away,

297
00:44:25,776 --> 00:44:32,742
in the city of Avalon, in sweet scents."

298
00:44:49,542 --> 00:44:55,245
Everyone arrives at a point when one's mind
is full of problems about men and women.

299
00:44:55,885 --> 00:45:00,586
I was happy when I intruded without reflection,
from country to city,

300
00:45:01,059 --> 00:45:03,153
from the outside to the inside of the university,

301
00:45:03,262 --> 00:45:07,325
looking for an adventure leading to love.

302
00:45:07,468 --> 00:45:13,501
I thought that I could find any kind of
questions and answers there.

303
00:45:14,011 --> 00:45:18,575
In a corner of the refectory,
in a room of the club,

304
00:45:18,584 --> 00:45:22,579
on the grass on campus,
in corridors, in staircases,

305
00:45:22,590 --> 00:45:25,788
there are human beings, here and there.

306
00:45:25,928 --> 00:45:28,990
When I glance at them,
they start talking,

307
00:45:29,000 --> 00:45:33,462
talking about themselves,
without exception.

308
00:45:34,207 --> 00:45:39,613
Yet they are far beyond my imagination,
as I'm a countrywoman.

309
00:45:39,714 --> 00:45:46,020
Because they talk in grammar
incomprehensible to a woman,

310
00:45:46,926 --> 00:45:51,797
I cannot know in which direction
I should start walking.

311
00:45:52,366 --> 00:45:57,135
I've met Professor Hirayama.
We stared at each other.

312
00:45:57,808 --> 00:46:04,306
I don't know what happened,
but there was a crucial turning point.

313
00:46:05,252 --> 00:46:12,093
What I wished for wasn't an
adventure leading to love...

314
00:46:13,698 --> 00:46:16,634
but perhaps love leading to
an adventure.

315
00:46:17,536 --> 00:46:24,342
Not love for love's sake,
but love for adventure's sake.

316
00:46:24,880 --> 00:46:31,048
It seems that the time when it was good
for a woman to simply be a woman has ended.

317
00:46:33,292 --> 00:46:37,560
That means that she should never
put on an attractive expression,

318
00:46:37,698 --> 00:46:43,662
never wander around walking in a manner
as if she'd grown up here,

319
00:46:43,774 --> 00:46:48,179
and chatter delightfully with people.

320
00:46:49,015 --> 00:46:53,249
That would mean that she would become one
of the majority, the people in good health,

321
00:46:53,387 --> 00:46:56,825
that is to say, become a man.

322
00:46:56,959 --> 00:47:00,623
I don't think of ceasing to be a woman.

323
00:47:02,400 --> 00:47:04,096
I have a strategy...

324
00:47:04,536 --> 00:47:06,767
that is, to reveal that this university

325
00:47:06,806 --> 00:47:13,647
this place at large, has been a woman.

326
00:47:13,816 --> 00:47:19,780
Of course, don't consider me a woman
crying over an impossible love!

327
00:47:22,629 --> 00:47:28,662
In a place where all those other than
men are called women,

328
00:47:28,671 --> 00:47:34,077
do you have the self-assurance
to survive, Yoshioka?

329
00:47:35,848 --> 00:47:41,254
Following faithfully a line drawn by you,

330
00:47:41,255 --> 00:47:45,489
I'm not going to be contained by any frame.

331
00:47:46,564 --> 00:47:50,502
Nobody will be able to tolerate us.

332
00:47:51,337 --> 00:47:58,212
I'll start acting in such a way...

333
00:47:58,214 --> 00:48:01,616
as to have an influence on everybody.

334
00:48:03,621 --> 00:48:09,494
It will be easy. I'm not a woman
who hides herself and hesitates.

335
00:48:10,732 --> 00:48:16,138
I'm a woman who laughs...
but not the loud laughter of men.

336
00:48:16,673 --> 00:48:21,135
It should be perfect
if only I have the best smile.

337
00:48:22,449 --> 00:48:25,010
What do you think of this, Yoshioka?

338
00:48:25,686 --> 00:48:29,681
Can you resolve the enigma of this smile?

339
00:48:33,999 --> 00:48:37,664
No! Set me free!

340
00:48:38,705 --> 00:48:41,937
- We won't find out?
- No, because Hirayama won't come today.

341
00:48:42,076 --> 00:48:45,536
- Experiments are interesting?
- Of course!

342
00:48:45,982 --> 00:48:47,507
We'll succeed?

343
00:48:47,819 --> 00:48:51,689
Don't worry. With you, surely
we'll succeed.

344
00:48:51,758 --> 00:48:53,316
Do you think so?

345
00:49:00,637 --> 00:49:03,004
I haven't seen you for a long time.

346
00:49:04,008 --> 00:49:05,669
- Hi!
- Hi!

347
00:49:09,483 --> 00:49:10,882
- Hi!
- Hi!

348
00:49:11,486 --> 00:49:14,320
I haven't seen you for ages.
By the way, what's the matter?

349
00:49:15,023 --> 00:49:17,254
I wanted to see Hirayama.

350
00:49:18,729 --> 00:49:20,390
- Hi!
- Hi!

351
00:49:20,866 --> 00:49:26,864
- He's not feeling well. He says he can't come.
- Oh? That's unlucky.

352
00:49:27,842 --> 00:49:30,812
We'll do a psychological test.
Do you want to see it?

353
00:49:31,213 --> 00:49:35,049
- No, thanks. I'm going.
- They say it's interesting.

354
00:49:35,286 --> 00:49:40,886
- Stay with us!
- Yeah? All right. I'll stay.

355
00:50:48,124 --> 00:50:51,357
Now we'll start an experiment
concerning shame.

356
00:50:51,563 --> 00:50:54,727
We'll borrow your tough body and mind.

357
00:50:55,535 --> 00:50:57,527
We're sure to obtain a good result.

358
00:50:58,873 --> 00:51:00,466
- Let's start!
- OK.

359
00:51:58,959 --> 00:52:04,923
Oh, Aki. What?
What's wrong?

360
00:52:06,069 --> 00:52:10,474
What's wrong? Are you all right?

361
00:52:10,809 --> 00:52:12,573
Do you want a cup of coffee?

362
00:52:15,316 --> 00:52:19,687
You'd prefer tea? Coffee is OK, perhaps?

363
00:52:30,505 --> 00:52:31,403
What?

364
00:52:38,817 --> 00:52:40,911
Wasn't it difficult for you to find my room?

365
00:52:42,588 --> 00:52:46,458
Are you all right?
What's wrong?

366
00:52:47,997 --> 00:52:50,262
What? What's wrong?

367
00:52:53,771 --> 00:52:57,834
What? Was I crying?

368
00:52:58,578 --> 00:53:01,913
It looks like you were crying.

369
00:53:02,551 --> 00:53:07,320
It's strange; I have nothing to cry about.

370
00:53:08,893 --> 00:53:11,522
Do you like to listen to Brahms?

371
00:53:13,200 --> 00:53:17,901
Brahms? Don't you have any
other records?

372
00:53:18,674 --> 00:53:23,876
- Like what?
- Beethoven, for example.

373
00:53:24,249 --> 00:53:28,687
Beethoven? He's in the third class...

374
00:53:29,755 --> 00:53:33,921
- How about Mozart?
- He's at the bottom of the middle class.

375
00:53:35,598 --> 00:53:39,057
- Saint-Saёns?
- Saint-Saёns?

376
00:53:40,471 --> 00:53:46,470
- Let's listen to Brahms.
- No, thank you. I don't want to.

377
00:53:48,984 --> 00:53:56,723
Teruoka, do you know what sort of thing
they do in the Psychology Department?

378
00:53:56,861 --> 00:54:01,664
The Psychology Department is the place
where they study psychology.

379
00:54:02,169 --> 00:54:05,662
In a word, it isn't philosophy,
nor a science.

380
00:54:07,143 --> 00:54:12,606
Suspended between the two, it wants
to become a thought, but it cannot.

381
00:54:13,719 --> 00:54:16,450
It's a vague subject like that.

382
00:54:17,926 --> 00:54:24,664
Do you know Professor Hirayama,
of the Psychology Department?

383
00:54:24,802 --> 00:54:29,332
No, I've never heard of him.
Who is he?

384
00:54:29,442 --> 00:54:35,144
- You belong to the same university?
- University is that sort of place.

385
00:54:40,892 --> 00:54:45,024
<i>The inexperienced students failed the experiment.</i>

386
00:54:45,765 --> 00:54:51,502
<i>They couldn't prove the hypothesis of
Hirayama concerning 'extreme shame mutation'.</i>

387
00:54:52,342 --> 00:54:55,744
<i>The woman guinea-pig, in a position of
extreme shame,</i>

388
00:54:56,147 --> 00:54:58,878
<i>instead of undergoing the phenomenon
of physical stiffness,</i>

389
00:54:58,985 --> 00:55:02,114
<i>experienced ratherthe utmost pleasure.</i>

390
00:55:02,991 --> 00:55:08,693
<i>The wave of pleasure that spread from her
enveloped the students, one after another.</i>

391
00:55:09,132 --> 00:55:12,297
<i>The wave of pleasure swept over
everybody, without exception.</i>

392
00:55:12,671 --> 00:55:14,367
<i>It doesn't distinguish between anything,</i>

393
00:55:14,974 --> 00:55:18,103
<i>sweeping overthe mind,
as well as the body,</i>

394
00:55:18,345 --> 00:55:21,748
<i>overthe men as well as the women.</i>

395
00:55:22,018 --> 00:55:26,957
<i>In the wave, the contours of things
become clearerto the eyes.</i>

396
00:55:27,559 --> 00:55:29,926
<i>One can understand everything instantly.</i>

397
00:55:30,563 --> 00:55:36,230
<i>Everybody understood
at once and simultaneously.</i>

398
00:56:18,198 --> 00:56:21,259
Professor, are you alright?

399
00:56:24,273 --> 00:56:27,300
Excuse me for coming in without permission.

400
00:56:28,446 --> 00:56:30,711
Since you slept well...

401
00:56:31,851 --> 00:56:34,320
- A cup of water?
- Yes.

402
00:57:08,303 --> 00:57:14,176
Professor, I'm thinking of attending
your seminar.

403
00:57:14,646 --> 00:57:22,580
- Yes? That's good.
- But I'm actually not a student here.

404
00:57:23,025 --> 00:57:24,960
That doesn't matter.

405
00:57:26,730 --> 00:57:32,967
Many things are so complicated,
that I don't know what to do.

406
00:57:33,072 --> 00:57:37,704
Now let's go to the classroom.
They may be waiting.

407
00:57:37,979 --> 00:57:42,817
- But you're ill, aren't you?
- No. I don't know why, but I'm fine now.

408
00:57:47,459 --> 00:57:50,452
- Where are you from?
- From the countryside.

409
00:57:58,174 --> 00:58:03,080
University is a good place,
though there are many problems.

410
00:58:03,349 --> 00:58:04,373
Yes.

411
00:58:06,486 --> 00:58:07,579
How are you?

412
00:58:11,693 --> 00:58:13,787
They're waiting inside.

413
00:58:20,606 --> 00:58:23,771
<i>Has there ever been a more shameful
sight than this?</i>

414
00:58:25,314 --> 00:58:26,906
<i>This is exactly what I foresaw.</i>

415
00:58:27,182 --> 00:58:32,521
<i>Right from the start, they haven't had
the capacity to understand shame.</i>

416
00:58:34,360 --> 00:58:38,627
<i>It's only you who can understand
real shame.</i>

417
00:58:45,008 --> 00:58:47,911
Mr. Hirayama, you've made a funny toy.

418
00:58:47,913 --> 00:58:51,213
I'll attend your seminar from
next week on.

419
00:58:51,217 --> 00:58:54,153
I'll never be absent.
So, please give me a credit.

420
00:58:54,288 --> 00:58:55,586
Do as you please!

421
00:58:58,795 --> 00:59:04,668
- Aki, I'm sorry about last time.
- Don't bother her any more.

422
00:59:07,507 --> 00:59:08,566
After you, please.

423
00:59:14,985 --> 00:59:19,150
Mr. Hirayama! That girl isn't a virgin.

424
00:59:51,071 --> 00:59:56,375
- You're a dreadful man!
- Yes? You think so?

425
00:59:57,479 --> 00:59:58,912
You're right.

426
01:01:17,127 --> 01:01:18,321
I'm sorry.

427
01:01:23,770 --> 01:01:26,672
I'm shameless.

428
01:01:33,183 --> 01:01:37,281
I can do nothing that might help.

429
01:01:43,766 --> 01:01:47,863
I'm the same as those students.

430
01:02:06,365 --> 01:02:09,300
Only you can know genuine shame.

431
01:02:10,437 --> 01:02:15,308
This way, I will also be able
to know true shame.

432
01:02:22,621 --> 01:02:27,526
That is to say: To love, and to be loved.

433
01:02:29,631 --> 01:02:31,793
To love each other. I can do that.

434
01:02:48,624 --> 01:02:53,326
"In the blue sky, the sun shines.

435
01:02:53,465 --> 01:02:56,867
- A wagtail of Melaka is singing..."
- No. That's different.

436
01:02:59,373 --> 01:03:03,971
- "In the blue sky..."
- No. 'In' at the start is different.

437
01:03:04,113 --> 01:03:05,411
Pronounce it.

438
01:03:05,516 --> 01:03:07,747
This note.

439
01:03:10,556 --> 01:03:14,961
"In the blue sky, the sun shines.

440
01:03:15,096 --> 01:03:21,163
A wagtail of Melaka is singing..."

441
01:03:21,906 --> 01:03:24,603
No. That's still different.

442
01:03:24,911 --> 01:03:26,902
- I wonder where...
- Where?

443
01:03:27,047 --> 01:03:30,916
Your mind is elsewhere,
though your gestures are excellent.

444
01:03:31,052 --> 01:03:34,148
If you have time to think of gestures,
you must sing more earnestly.

445
01:03:34,458 --> 01:03:38,556
My mind reaches my fingers,
as far as the tips of my nails.

446
01:03:38,597 --> 01:03:41,066
No it doesn't. Only you think
that it does.

447
01:03:41,067 --> 01:03:42,329
- I'm sorry.
- Let's try once more.

448
01:03:42,368 --> 01:03:44,166
- OK.
- This time it will be OK.

449
01:03:44,205 --> 01:03:45,173
OK.

450
01:03:48,177 --> 01:03:52,377
"In the blue sky, the sun shines, oh, oh..."

451
01:03:53,184 --> 01:03:56,917
You've made a mistake. Don't be afraid!

452
01:03:57,023 --> 01:04:01,758
Let's do it from the start again.
This is the best part, isn't it?

453
01:04:02,131 --> 01:04:04,498
- You need to be enthusiastic! Start.
- Sorry.

454
01:04:07,939 --> 01:04:16,647
"In the blue sky, the sun shines.
A wagtail of Melaka is singing a song.

455
01:04:16,786 --> 01:04:25,754
I will sing that tender song from heart,
for the sake of that memory.

456
01:04:25,864 --> 01:04:31,896
Girls living in a tropical country
have light hearts...

457
01:04:31,906 --> 01:04:38,747
and call to the seashore with
this voice, oh, oh..."

458
01:04:39,551 --> 01:04:43,956
- Are you serious? From the start again!
- All right.

459
01:04:51,267 --> 01:04:52,929
What's the matter?

460
01:04:55,640 --> 01:04:57,506
You don't want to try again?

461
01:05:00,948 --> 01:05:02,143
Now start!

462
01:05:48,516 --> 01:05:57,553
"In the blue sky, the sun shines.
A wagtail of Melaka is singing a song..."

463
01:06:10,915 --> 01:06:14,148
An 'extreme shame mutation' might occur.

464
01:06:16,824 --> 01:06:21,092
Anyway, something like that might occur.

465
01:08:01,775 --> 01:08:04,506
Ah! Beautiful.

466
01:08:07,816 --> 01:08:11,618
Ah! Superb!

467
01:08:12,623 --> 01:08:14,114
What is that?

468
01:10:42,038 --> 01:10:43,164
Good morning.

469
01:10:45,910 --> 01:10:47,572
Oh, hi!

470
01:13:09,015 --> 01:13:10,210
Where are you going?

471
01:13:11,818 --> 01:13:13,582
I'm going back to the country.

472
01:14:15,711 --> 01:14:22,347
How about coming with us?
There's nothing important, yet it's interesting.

473
01:19:00,219 --> 01:19:01,517
Kishino!

474
01:19:03,658 --> 01:19:04,989
Shoko!

475
01:19:09,733 --> 01:19:11,827
Everybody! Everybody!

476
01:19:13,539 --> 01:19:16,668
No! No!

477
01:19:20,449 --> 01:19:21,940
Junko!

478
01:20:49,008 --> 01:20:50,533
Teruoka.

479
01:21:25,962 --> 01:21:29,455
"Sleep! Sleep!

480
01:21:29,767 --> 01:21:41,081
Around you bloom graceful flowers.

481
01:21:41,618 --> 01:21:49,288
Now sleep calmly,

482
01:21:49,395 --> 01:21:56,931
until you wake up tomorrow.

483
01:21:57,473 --> 01:22:01,240
Sleep! Sleep!

484
01:22:01,780 --> 01:22:15,223
Angels are watching over your dreams.

485
01:22:15,733 --> 01:22:24,145
Sleep now, forgetting everything,

486
01:22:24,612 --> 01:22:33,490
and smiling, to the country of dreams."

487
01:22:34,693 --> 01:22:40,692
Translated by quaisnord for ADC
Revised by Lord Retsudo for ADC